Sunday 31 July 2016

Interstate by Joe Brofcak

Interstate

By Joe Brofcak

Michelle, an attractive young housewife, has run away from her unhappy marriage after injurying her infant son, Adam. While hitchhiking, she is picked up by Jack, who asks her why she is on the run.
MICHELLE:
No one would believe me. They kept saying I needed help, that I was going crazy. They wouldn't listen! So what if I was a little depressed after Adam was born? It doesn't mean I would ever hurt him! He was just crying and crying and I couldn't get him to stop, Jack. I couldn't get him to stop. His screams echoed throughout the house! Before I knew it, I was in the nursery, shaking him and he slipped out of my hands and... I dropped him, Jack!
Can you imagine dropping your son? I saw his whole life play out as he fell... or the life he was losing. And I was powerless to stop it. I was frozen. But you wanna know the scariest thing, Jack? As he fell, there was a part of me that was relieved. I felt a great weight ease from my shoulders. Then he hit the floor and I snapped out of it. Adam had a broken wrist, but seemed okay. My family didn't care. It was the final straw, they said. But I'm not crazy, Jack. I didn't need to go to a mental hospital. I needed to get away from the person I'd become, to leave it all behind. Start fresh. You understand that, don't you?

thanksgiving in the wilderness by Kellie Powell

Thanksgiving in the Wilderness

By Kellie Powell

Rita attacks a guy who, in her opinion, has treated her best friend, Emily very badly.
RITA:
You know what, jack-ass? The world is full of guys like you - sarcastic guys who spend all their time cleverly pointing out the shortcomings of others, rolling their eyes, shaking their heads, passing judgment and cracking jokes. You're not unique. You're just one more pretentious bastard. I've had enough of guys like you, you supposedly "damaged" guys who don't "believe" in monogamy anymore, who want to just sleep around, who announce ahead of time that they're not interested in being someone's boyfriend. You think this honesty makes you a decent person, but at the end of the day, you're still taking advantage of women who, for whatever reason, don't know that they deserve better.
Emily is an amazing woman! She is beautiful and smart and funny, and if you think you can find another girl like her, you can't. She is one of a kind, and any guy would be lucky to have her. And you treated her like an underaged Staind groupie at last call!
Okay, fuck this shit. I give up. Let's go home.

Thanksgiving in the wilderness by Kellie Powell

Thanksgiving in the Wilderness

By Kellie Powell

Jillian is a 19-year-old college freshman who is involved in a polyamorous relationship. When asked by Emily and Rita how she feels about the situation, this is her response.
JILLIAN:
You know, just once, I would like to see Hollywood make a movie that tells a genuinely realistic modern love story. A girl meets a boy. She gives him her phone number. He calls her, they start having sex. She starts to like him. He says, "No monogamy for me, thanks, I like sleeping around." She keeps sleeping with him anyway. Mostly because she knows she's not likely to do any better. And she appreciates his honesty. She figures, at least he was straight-forward. At least he told me what the deal is ahead of time, right?
So, they have sex about once a week and they watch movies and play video games together and they cook fajitas in her kitchen. And every once in a while, the guy mentions another girl that he's sleeping with, and it hurts her, but she keeps it to herself. She waits until after he's gone to cry. And she sleeps with her ex-boyfriend a couple of times, just because she's free to do so, and why not? And she never allows herself to fall in love with this guy, because to her, being in love with someone means that when you look into the future, you see them. She knows they probably don't have any kind of future. She does care about him, but she never tells him that, because that would definitely scare him away. He never says he cares about her. If he ever did, the audience would probably laugh, because it would be so out of character. But, eventually, he starts to kind of like having her around.
See, that's as good as it gets, really. That's a modern romance. The music swells under the dramatic moment when he hands her a CD and says "Here, I burned the new Green Day for you." I want to see that movie. I want to see a romance in which the surly, cynical young slacker makes no personal revelations, no drastic personality change, no big emotional speech. I want to see a movie in which the woman who loves him figures out that Prince Charming isn't going to show up on a white horse, and no one is ever going to hold a boom-box over his head for her, and she lowers her expectations accordingly. She decides, "Yeah, this guy is judgmental, angry, apathetic, and occasionally mean to me. But I'm not getting any younger." She never bursts out and says, "I care about you, ass-face, but I think you have no soul." She accepts him for who he is - not because she loves him, but because she doesn't want to be alone. There's no happy ending, per se, but as the credits roll, you think, well, maybe eventually he'll be too old to chase other women and he'll settle into monogamy, basically out of laziness. We all know two or three couples that's happened to.
So, I want to see that movie. But I never will. Because movies are not for people like you and me. They're for morons.

Thanksgiving in the wilderness by Kellie Powell

Thanksgiving in the Wilderness

By Kellie Powell

Emily is a woman in her twenties who becomes involved in a polyamorous relationship. She is mostly talking to the audience, but sometimes she addresses her friend Rita, who is onstage with her, and sometimes she talks to the man in question.
EMILY:
(To Rita.) Contrary to popular opinion, there are not plenty of fish in the sea, and even if there are, none of them are interested in my bait. And I guess that's why, when I saw him again, and he started telling me about how wasn't ready for a new relationship, and how he actually thinks that dating is pretty stupid... Which, to be fair, is essentially true. It is kind of ridiculous to think that there's one person out there for every other person, and that one person can meet all of your needs, and that anyone could really be satisfied with only one person, for all time -- 
(To the audience.) There's a rational part of me that does actually agree with him. That thinks that sex is only as complicated as the people who're having it. And that relationships shouldn't have to be a quid-pro-quo transaction: I agree to sleep only with you, so that you sleep only with me. If monogamy came naturally, why would so many married people have affairs? If people could just evolve past jealousy, we would all probably be a lot happier. He's right. Jealousy is irrational. He wanted something casual, and I was a little disappointed... I got my hopes up, which was stupid, and I got let down, which I should have predicted... And how can I really blame him? He was up front with me. He told me exactly what he wanted and exactly what he didn't. I could have said, "No, that's not enough for me. I want a real relationship or nothing." But I didn't say that. 
(To Rita.) If I thought I could do better, then none of this would have ever happened. But I don't, and it did. I told myself, I'll just keep hanging out with him, until I meet someone better suited for me, the right person.
(To the audience.) I told myself, "Don't get attached, because this is temporary. Don't be jealous, because he's just not worth it." But I'd lie awake, with him sleeping next to me, and think... (To him.) "You're always rushing off - you have all these other friends and other things to do, and other women's beds to jump into... and I wish you had more room for me in your life. I wish you wished you had room for me in your life. I wish you gave a damn. Because, someday, you'll meet someone and you'll feel the thing that you always make fun of when other people feel it, and all your rhetoric about how monogamy is stupid and relationships are bullshit will go completely out the window. And I will never be able to stop wondering: Why wasn't it me? Why couldn't it have been me?" 


Dogface by Kellie Powell

Dogface

Dogface

By Kellie Powell

Dogface is a play about growing up ugly. The title character is attacked by a dog when she is seven, which causes the other children at school to provide her derogatory nickname - an identity she never fully escapes from. She alternates between describing the experience and re-living it.

DOGFACE:
This is how it happens: One minute, you're just another awkward second-grader. And then your mom takes you and your brother to her friend's house, out in the country. You get out of the car, and there's a big yellow dog wagging his tail at you. And your mom and your brother go to ring the doorbell, and you get down on your knees in front of this friendly dog, and you're petting him... And then, suddenly, the dog snaps his jaws. And your life as you know it... ends.
It happens so fast... You're not even sure what happened. It feels like a very sharp pinch, and then it's spreading, fast through your whole face. There's blood. There's a lot of blood. You yell for your mom, you run towards her. She turns, and when she sees you, she gasps in horror and she covers your brother's eyes, and she screams to him, "Don't look!"
That's how these things happen, I guess. Anyway, that's how it happened to me.
The dog never barked, never growled. He followed after me, still friendly and playful. Blood pouring from the holes in my face... and he's looking at me, wagging his tail. My mother grabbed my jacket from the car, and told me to hold it tight against my face. I was crying. I was so panicked I felt like I was choking.
At the hospital, nurses were coming in, mopping up blood and asking questions and trying to establish how much of my face was still there, whether the nerve endings were alive. My face felt puffy and I was light-headed. The nurses were friendly, they wanted me to trust them. And I did. I believed them when they said that doctors would be able to fix me.
My father didn't - he couldn't - look directly at me. He kept staring at a space on the wall above me. He kept saying, "You're being very brave." I didn't feel brave. I was still crying, but quietly. I was pressing cotton against my face, just wanting it to be over. I just wanted to go home.
And then, I was lying on a table, squinting into a bright light above me. I can't feel the stitches, but if I look out of the corner of my right eye, I can see it, the silver needle, moving up and down. So I don't look. They keep talking to me. Half the time I don't know what they're saying, the other half of the time, they're telling me how brave I am, but that's only because they don't know how afraid I feel. You're not allowed to cry or they might mess up your stitches. You can't move at all. They keep saying, "It will all be over soon."
They lied. I was conscious the entire time. I was awake while they sewed my face back together. What I remember most is the bright light, and the strangely disembodied voices of my parents and the doctors, trying to keep the patient calm.
When they finally let me see myself, when they gave me a mirror, I had prepared myself for a Halloween mask, for a horror movie, for a nightmare. But the blood had been cleaned away. It was just neat rows of stitches. I was actually relieved.
But then I went back to school. And then the real trauma began.


In this monologue, Dogface, now 23, confronts her friend, Ethan. They recently slept together, which she thought implied that their relationship was moving to a new level, but Ethan has instead been ignoring her and pretending that nothing happened.

DOGFACE:
I don't want to get all Hallmark card on you, but you're my best friend. We've been through so much together. You know me better than I have ever let anyone know me. You're the first person I've ever met who understands me, who thinks the way I do, who gets me. Am I crazy? Am I wrong? Because... you're important to me.
If you just aren't attracted to me... I could understand that. I know you can't choose who you want, you can't control those feelings. The heart wants what the heart wants. If we could choose... then I could stop wanting you. I know it doesn't work like that. So, if you just don't like me that way... but, you do, don't you? You must. I mean, at least a little? You can't find me too repulsive, you're the one who kissed me...
Did I do something wrong? I mean, was I not... good? Was I too easy? Was I supposed to play hard to get? I don't know how to be coy and play games. No one ever explained the rules to me. All I know how to do is be honest. And you said that was something you loved about me.
Is it... are you ashamed? Is that why you're pretending like it didn't happen? That's it, isn't it. You're ashamed. Right. I mean, who wouldn't be ashamed to be with me? I'm Dogface. You can fuck Dogface behind closed doors, but you can't introduce her to your friends. You can't bring her home to meet your mom.
You said... you're not ready. Is anyone ever ready for their life to change? How do you expect to learn anything? We'll make all kinds of stupid mistakes and feel like idiots and - welcome to the human condition! Trial and error, it's the only way to learn. No one's ever ready.
You said... you don't want to get serious. But how am I supposed to act casual about something this intense, this rare? You're the first person to see me - how can that not be a big deal? Look at me. How many chances am I going to have in life? I think I could love you. I think you could have loved me.
And if I'm crazy, then I'm crazy. If I'm wrong, then, okay, I'm wrong. But if I'm right, and you're just too chickenshit to deal with the possibility of something real and rare and dangerous and life-altering, then... then I'm not even sure I would want to love someone so stupid!
(Beat.)
I think I finally understand why they say that you "lose" your virginity. I always thought that was a dumb expression. It makes it sounded like your virginity was this special, sacred thing you were supposed to guard with your life. When to me... the fact that I'd never had sex was like... a flashing neon sign saying, "Ugly loser" hanging over my head. I was trying to "lose" it. Hell, for a couple of years there, I was trying to throw it at anyone who gave me a second look.
But now, I mean... I do feel like I have lost something. Not my purity or innocence or any of that... dogmatic bullshit. I've lost... the walls I built to protect myself from feeling... this. I've lost the ability to distance myself from the rest of the lowly humans... my position of self-deprecating superiority that let me live without hope for all those years...
I lost my isolation. I let you in. And I gave you the power to hurt me.
See, I want to be a cat. Because... most cats are very independent creatures. They can be domesticated, but, for the most part, they don't really act like pets as much as they act like caged predators. They fend for themselves. And sometimes, sometimes, when they want you to give them a little affection, they crawl into your lap, and they purr, and they let you pet them, and love them. And then, after a little while, they get sick of you, and they scratch you, and they jump up and they run away. Cats are fierce. Cats get what they need from you, and then they just move on.
I'm not a cat. I'm a dog. Dogs are not independent. Dogs love you, pretty much unconditionally. They are so loyal, it defies all logic. Dogs need you, and they let you know that they need you. They need you to love them. They cry when you leave in the morning, and they jump for joy when you come home at night. They always want your attention. They can't get enough of your love.
I don't want to be a dog. But I am. I think I always will be.

You said... you're not ready. Is anyone ever ready for their life to change? How do you expect to learn anything? We'll make all kinds of stupid mistakes and feel like idiots and - welcome to the human condition! Trial and error, it's the only way to learn. No one's ever ready.
You said... you don't want to get serious. But how am I supposed to act casual about something this intense, this rare? You're the first person to see me - how can that not be a big deal? Look at me. How many chances am I going to have in life? I think I could love you. I think you could have loved me.
And if I'm crazy, then I'm crazy. If I'm wrong, then, okay, I'm wrong. But if I'm right, and you're just too chickenshit to deal with the possibility of something real and rare and dangerous and life-altering, then... then I'm not even sure I would want to love someone so stupid!
(Beat.)
I think I finally understand why they say that you "lose" your virginity. I always thought that was a dumb expression. It makes it sounded like your virginity was this special, sacred thing you were supposed to guard with your life. When to me... the fact that I'd never had sex was like... a flashing neon sign saying, "Ugly loser" hanging over my head. I was trying to "lose" it. Hell, for a couple of years there, I was trying to throw it at anyone who gave me a second look.
But now, I mean... I do feel like I have lost something. Not my purity or innocence or any of that... dogmatic bullshit. I've lost... the walls I built to protect myself from feeling... this. I've lost the ability to distance myself from the rest of the lowly humans... my position of self-deprecating superiority that let me live without hope for all those years...
I lost my isolation. I let you in. And I gave you the power to hurt me.
See, I want to be a cat. Because... most cats are very independent creatures. They can be domesticated, but, for the most part, they don't really act like pets as much as they act like caged predators. They fend for themselves. And sometimes, sometimes, when they want you to give them a little affection, they crawl into your lap, and they purr, and they let you pet them, and love them. And then, after a little while, they get sick of you, and they scratch you, and they jump up and they run away. Cats are fierce. Cats get what they need from you, and then they just move on.
I'm not a cat. I'm a dog. Dogs are not independent. Dogs love you, pretty much unconditionally. They are so loyal, it defies all logic. Dogs need you, and they let you know that they need you. They need you to love them. They cry when you leave in the morning, and they jump for joy when you come home at night. They always want your attention. They can't get enough of your love.
I don't want to be a dog. But I am. I think I always will be.


These monologues are from the full-length play Dogface by Kellie Powell. If you would like to read the entire play, you can purchase an electronic (PDF) copy of the script for $7.00.
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Collaboration by Kellie Powell

Collaboration

By Kellie Powell

Collaboration is the story of an uneven friendship between two writers, and the conflict that results from their attempt to work together. Kim confesses to her friend (and sometimes-lover) Shane, that she has been in love with him for several years.
KIM:
I wanted those moments - few and far between as they were. I wanted whatever time and affection you could give me. No matter what it cost me. I felt like you found comfort in me. And maybe I wasn't your first choice, you know? But I was glad that I was somewhere on the list. I let it happen again and again, more times than I can even count.

You wanted to keep things casual, you wanted to keep me at arm's length. You leaned on me. I cared about you so much. I can't explain it, but, I've seen the best and the worst of you... and I love you. I love the way you can tell me what I'm thinking. I love the way you tell a story, drawing me in. I love you for all the times you convinced me, with a stupid joke, or even just a look... to stop taking myself so seriously and just enjoy my life. Nothing could ever make me regret the way I feel about you. What I feel for you isn't a negative thing. It makes me better, it makes my life better. That's what I've been trying to say: That love is never wrong, even when it grows in the worst conditions, with no encouragement...

Eight by Ella Hickson

Play- Eight
Playwright- Ella Hickson
Character- Astrid

People talk about guilt as if its an instinct. That the second you do something wrong, you feel guilty. I don’t; what I’m feeling is power. 
You always join the story at the bit where they’re sorry, when they’re desperately begging for forgiveness; but theres something before that, theres now. In the space after the act and before the consequences, when you’ve gotten away with it; when youre walking out of an unknown door, back down unknown streets and it’s still thumping in you- dawns breaking, dews settling and your skipping back home, flying on the thrill of it, you can taste it.
Even back here, the quiet click of the door, the tiptoe in- our bed and all the stuff that makes up life, our life- and- I don’t feel like a traitor; I can lie here while another mans saliva dries of my lips and I can remember another man’s face bearing over me- and I enjoy it, I enjoy that all this seems new again.
His alarms going off in ten minutes. He’ll roll over and grunt, curl himself round me like a monkey with its mum. Just like every morning. He wont notice that anything’s different- he wont see that I have mascara down my face or that my hair is wet, because I’ve been running in the rain to get back before he wakes up, he wont notice I haven’t been here- for him, I became invisible a long time ago.
That’s not even snoring, is it? Listen? Its definitely more aggravating than breathing, but it doesn’t quite have the conviction of a snore. Nope… just a slow dribble of air, as if it was engineered to be as aggravating as humanly possible; sort of like a tiny pony having a tantrum.
Oop- oh that’s nice isn’t it, a little wind from the baby. Having been with someone else, it’s like I’ve left the room for the first time in years, and come back in and realised… this is the manthat I once thought I might marry. 
Ah, and here we have- the spread. Allowing air to all orifices at once, in vain hopes of ventilation, the male of the species spreads himself, much like a starfish. Allowing little or no room for the female of the species to coexist in the domestic habitat. Its as if she wasn’t even there.

Agnes of God written by John Pielmeier

Agnes of God
written by John Pielmeier
Agnes: [to an imaginary friend] Why are you crying? But I believe you. I do. (silence) Please, don't you leave me too. Oh no. Oh my God, O sweet Lady, don't leave me. Please, please don't leave me. I'll be good. I won't be your bad baby anymore. [She "sees" someone else] No, Mummy, I don't want to go with you. Stop pulling me. Your hands are hot. Don't touch me like that! Oh my God, Mummy, don't burn me! DON'T BURN ME! (Silence) I stood by the window of my room every night for a week. And one night I heard the most beautiful voice imaginable. It came from the middle of the wheat field beyond my room, and when I looked I saw the moon shining down on Him. For six nights He sang to me. Songs I'd never heard. And on the seventh night He came to my room and opened His wings and lay on top of me. And all the while He sang. [singing]
"Charlie's neat and Charlie's sweet,
And Charlie he's a dandy,
Every time he goes to town
He get's his girl some candy.
Over the river and through the trees,
Over the river to Charlie's.
Over the river and through the trees
To bake a cake for Charlie"